A task to gladden a Virgo's heart

Thread tracing!


Look closely to see the chartreuse stitches around the edge of the pattern piece.

This is not the machine tracing that is sometimes done on a muslin, but hand thread tracing that you do right on the fashion fabric to mark stitching lines and grain lines, as described in Part 2 of the Little French Jacket Sew-along. (An explanation of the distinction between the two types of thread tracing by Coudremode helped remove my little bit of confusion about it.)

Performing this step in the construction of the jacket definitely checked off some of my boxes. Come up with an excuse to buy gorgeous silk thread in several bright colors (check!). Learn a sewing skill whose existence had not even occurred to me before (check!). Get to hang out downstairs with my husband and son, and a glass of wine, while making progress on a sewing project (check!).




The pattern I'm using is Burda magazine 02-2013-107, a Chanel-type jacket with a V-neck and a curved hemline.







My fabric is a wool tweed bouclé from Gorgeous Fabrics: black with plenty of blue and gray and some flecks of off-white, green, and ochre. Very soft and pretty, not nearly as "carpet looking" as it somehow comes across in the photographs.

I'm very much enjoying this sew-along. Next up is quilting the lining to the fashion fabric, another new-to-me skill.



A reminder about roasted vegetables, so good at this time of year, at least for those of us in the colder parts of the northern hemisphere: Cut up some of your favorites (here, it's sweet potatoes and turnips, soon to be joined by chunks of onion and celery), douse with olive oil, sprinkle with salt and any herbs you like, and roast in a hot oven until caramelized and delicious.

How's that for getting some color into this otherwise monochromatic post?

Under the wire: The Victoria blazer

My Victoria blazer is done, and just in time for the end of the sew-along!

This jacket was a delight to make. Many of the details were new to me, including the French-seamed cuff with a slit, the way the lining is put in, and the dart that continues right into the neckline seam. Nothing was difficult to do, but it had plenty going on to keep it fun and interesting.


(I am slightly disturbed to see that in some of my photos, it looks as if I have nothing on underneath the jacket. But these are the photos we got, and now the light is gone, so you will just have to believe that I'm wearing a white tee shirt that pretty much matches my pale white skin. Have I not been outside at all this summer?)













I used a linen/rayon print for the shell and a light blue cotton lawn for the lining, both from Mood. The lawn was described online as sky blue, but I would call it something more like a grayed-down robin's egg blue. It was in fact exactly what I was hoping for. You can see some of it in this photo, but it looks much paler here than it really is; it too appears to match the white tee shirt!










This might be a good place to mention that my sweet husband took these photos on his iPhone, insisting that it takes better photos than my camera. The jury is out.

See, camera that was intended for picture taking is in my hand.

I first used my lining fabric for the pockets, but I wasn't happy with how it looked. Even though the pockets are inset a quarter inch past the seam, the contrast between the two fabrics was too much. So I took those pockets out and redid them with the outer fabric. A before photo:






And an after photo, where I can put my hand in my pocket without exposing a startling flash of pale:











This blazer does have a bit of a bubble or "O" shape, which you can see in the photo to the left. I think of this shape as a 1980s thing, and I wondered whether it's really right for my body type/age (you know, people who wore them the first time around . . . ) but I've decided I'm good with it as a casual cover-up.















Thank you, talented people at By Hand London!